Ants
拍数:
64
墙数:
4
级数:
Intermediate
编舞者:
John Elliott (USA)
音乐:
Ants On a Log - Randy Travis
FIRST STEP, HOLD, & COASTER STEP VARIATION SEQUENCE
1Left foot step forward, leaving right foot behind
2Hold, clap hands once
3Right foot step forward, leaving left foot behind
4Hold, clap hands once
5Left foot rock weight backward onto left foot
6Right foot step together next to left foot
7Left foot step forward
8Right foot lock-step behind left foot
SECOND STEP, HOLD, & COASTER STEP VARIATION SEQUENCE
1Left foot step forward, leaving right foot behind
2Hold clap hands once
3Right foot step forward, leaving left foot behind
4Hold clap hands once
5Left foot rock weight backward onto left foot
6Right foot step together next to left foot
7Left foot step forward
8Right foot stomp slightly forward, right heel next to left toe
LEFT "VINE-SQUARE-LOCK" SEQUENCE
1Left foot step to left side
2Right foot cross-step behind left foot
3Left foot step to left side
4Right foot cross-step over left foot
5Left foot step backward
6Right foot step to right side
7Left foot step forward
8Right foot lock-step behind left foot
RIGHT "VINE-SQUARE" SEQUENCE (VAR. ON PREVIOUS 8 COUNTS)
1Left foot step forward
2Right foot step to right side
3Left foot cross-step behind right foot
4Right foot step to right side
5Left foot cross-step over right foot
6Right foot step backward
7Left foot step to left side
8Right foot step forward
&Left foot hitch knee (in preparation for next move)
FIRST PUMP & KICK, TRAVELING HEEL AMP; TOE SPLITS SEQUENCE
You can exaggerate the knees, even use your arms to mimic the knees, during these next two sequences
1Left foot pump forward
&Left foot hitch knee (in preparation for next move)
2Left foot pump forward
&Left foot hook low over right shin as you turn ¼ to left, right foot still pointing to 12:00-you are now facing 9:00 with right foot still pointing to 12:00
3Left foot step down about 6" to left of right foot with toes of left foot pointing to 7:00-this should look like an exaggerated toe split-placing weight on ball of left foot and heel of right foot
&Left foot/right foot moving toward left: swivel left heel and right toe to left
4Left foot/right foot you are now in "pigeon toe position" with heels apart; change weight to heel of left foot and ball of right foot
&Left foot/right foot moving toward left: swivel left toe and right heel to left
5Left foot/right foot you are now in toe split position; change weight to ball of left foot and heel of right foot
&Left foot/right foot moving toward left: swivel left heel and right toe to left
6Left foot/right foot you are now in "pigeon toe position"; change weight to heel of left foot and ball of right foot
&Left foot/right foot pivot ¼ to left on heel of left foot and ball of right foot, change weight to right foot-you are now facing 6:00
7Left foot/right foot pushing off right foot, step slightly forward on left foot
8Right foot kick forward with toe pointed forward (clap is optional)
SECOND PUMP & KICK, TRAVELING HEEL AMP; TOE SPLITS SEQUENCE
1Right foot pump forward
&Right foot hitch knee (in preparation for next move)
2Right foot pump forward
&Right foot hook low over left shin as you turn ¼ to right, left foot still pointing to 6:00-you are now facing 9:00 with left foot still pointing to 6:00
3Right foot step down about 6" to right of left foot with toes of right foot pointing to 11:00-this should look like an exaggerated toe split-placing weight on ball of right foot and heel of left foot
&Left foot/right foot moving toward right: swivel right heel and left toe to right
4Left foot/right foot you are now in heel split ("pigeon toe") position; change weight to ball of left foot and heel of right foot
&Left foot/right foot moving toward right: swivel left heel and right toe to right
5Left foot/right foot you are now in toe split position; change weight to heel of left foot and ball of right foot
&Left foot/right foot moving toward right: swivel left toe and right heel to left
6Left foot/right foot you are now in "pigeon toe position"; change weight to ball of left foot and heel of right foot
&Left foot/right foot pivot ¼ to right on ball of left foot and heel of right foot, change weight to left foot-you are now facing 12:00 again
7Left foot/right foot pushing off left foot, step slightly forward on right foot
8Left foot kick forward with toe pointed forward
&Left foot swing foot backward and turn ½ to left-you are now facing 6:00 again (clap is optional)
STEP & POINT, PUMP-HOOK-TURN-KICK SEQUENCE
1Left foot step forward
2Right foot point toe out to right side and clap
3Right foot step forward
4Left foot point toe out to left side and clap
5Left foot step forward
6Right foot lean to left and pump right foot out to right side 18-24" above floor
7Right foot hook over left knee and turn ¼ to left on ball of left foot to face 3:00-your new front wall
8Right foot kick low & forward, toe pointed
URight foot small Step backward on ball of foot
VARIATIONS ON AN "OUT-OUT, IN-IN" SEQUENCE
1Left foot heel touch forward, weight backward on right foot
UF step down under body on ball of foot (replace)
2Right foot step next to left foot on ball of foot
ULeft foot step out to left side on ball of foot
3Right foot step out to right side on ball of foot, feet wide apart
4Hold clap hands once (feet still apart)
ULeft foot step in on ball of foot(replace)
5Right foot step in on ball of foot(replace)
ULeft foot step backward on ball of foot
6Right foot heel touch forward, weight backward on left foot
URight foot step down under body on ball of foot (replace)
7Left foot step next to right foot on ball of foot
8Right foot stomp next to left foot
REPEAT
Pump: A "pump" is like stepping down on an imaginary brake pedal: the knee is hitched (in preparation for this move) and the sole of the foot is aimed diagonally forward and down toward the floor in front of you, then the foot is pushed toward the floor without touching the ground. This term is borrowed from the CWLDA (Country Western Line Dance Association).
The "u" count: I'm well aware that the convention is to count "out-out, in-in" patterns as "&1, &2." But that is merely for convenience: the convenience of not having taking the time to learn something new. So here it is: subdivision of the beat. When you say "1&2, 3&4," I think that most people would first think of a Polka or Shuffle rhythm. We all know that the numbers stand for movements that occur on a beat of music. The "&" counts is a half-beat of music. AGREED? When you dance "Out-Out, In-In" type rhythms/patterns, you are dancing on THIRDS of a beat:
1Left foot step forward, leaving right foot behind
2Hold, clap hands once
3Right foot step forward, leaving left foot behind
4Hold, clap hands once
5Left foot rock weight backward onto left foot
6Right foot step together next to left foot
7Left foot step forward
8Right foot lock-step behind left foot
SECOND STEP, HOLD, & COASTER STEP VARIATION SEQUENCE
1Left foot step forward, leaving right foot behind
2Hold clap hands once
3Right foot step forward, leaving left foot behind
4Hold clap hands once
5Left foot rock weight backward onto left foot
6Right foot step together next to left foot
7Left foot step forward
8Right foot stomp slightly forward, right heel next to left toe
LEFT "VINE-SQUARE-LOCK" SEQUENCE
1Left foot step to left side
2Right foot cross-step behind left foot
3Left foot step to left side
4Right foot cross-step over left foot
5Left foot step backward
6Right foot step to right side
7Left foot step forward
8Right foot lock-step behind left foot
RIGHT "VINE-SQUARE" SEQUENCE (VAR. ON PREVIOUS 8 COUNTS)
1Left foot step forward
2Right foot step to right side
3Left foot cross-step behind right foot
4Right foot step to right side
5Left foot cross-step over right foot
6Right foot step backward
7Left foot step to left side
8Right foot step forward
&Left foot hitch knee (in preparation for next move)
FIRST PUMP & KICK, TRAVELING HEEL AMP; TOE SPLITS SEQUENCE
You can exaggerate the knees, even use your arms to mimic the knees, during these next two sequences
1Left foot pump forward
&Left foot hitch knee (in preparation for next move)
2Left foot pump forward
&Left foot hook low over right shin as you turn ¼ to left, right foot still pointing to 12:00-you are now facing 9:00 with right foot still pointing to 12:00
3Left foot step down about 6" to left of right foot with toes of left foot pointing to 7:00-this should look like an exaggerated toe split-placing weight on ball of left foot and heel of right foot
&Left foot/right foot moving toward left: swivel left heel and right toe to left
4Left foot/right foot you are now in "pigeon toe position" with heels apart; change weight to heel of left foot and ball of right foot
&Left foot/right foot moving toward left: swivel left toe and right heel to left
5Left foot/right foot you are now in toe split position; change weight to ball of left foot and heel of right foot
&Left foot/right foot moving toward left: swivel left heel and right toe to left
6Left foot/right foot you are now in "pigeon toe position"; change weight to heel of left foot and ball of right foot
&Left foot/right foot pivot ¼ to left on heel of left foot and ball of right foot, change weight to right foot-you are now facing 6:00
7Left foot/right foot pushing off right foot, step slightly forward on left foot
8Right foot kick forward with toe pointed forward (clap is optional)
SECOND PUMP & KICK, TRAVELING HEEL AMP; TOE SPLITS SEQUENCE
1Right foot pump forward
&Right foot hitch knee (in preparation for next move)
2Right foot pump forward
&Right foot hook low over left shin as you turn ¼ to right, left foot still pointing to 6:00-you are now facing 9:00 with left foot still pointing to 6:00
3Right foot step down about 6" to right of left foot with toes of right foot pointing to 11:00-this should look like an exaggerated toe split-placing weight on ball of right foot and heel of left foot
&Left foot/right foot moving toward right: swivel right heel and left toe to right
4Left foot/right foot you are now in heel split ("pigeon toe") position; change weight to ball of left foot and heel of right foot
&Left foot/right foot moving toward right: swivel left heel and right toe to right
5Left foot/right foot you are now in toe split position; change weight to heel of left foot and ball of right foot
&Left foot/right foot moving toward right: swivel left toe and right heel to left
6Left foot/right foot you are now in "pigeon toe position"; change weight to ball of left foot and heel of right foot
&Left foot/right foot pivot ¼ to right on ball of left foot and heel of right foot, change weight to left foot-you are now facing 12:00 again
7Left foot/right foot pushing off left foot, step slightly forward on right foot
8Left foot kick forward with toe pointed forward
&Left foot swing foot backward and turn ½ to left-you are now facing 6:00 again (clap is optional)
STEP & POINT, PUMP-HOOK-TURN-KICK SEQUENCE
1Left foot step forward
2Right foot point toe out to right side and clap
3Right foot step forward
4Left foot point toe out to left side and clap
5Left foot step forward
6Right foot lean to left and pump right foot out to right side 18-24" above floor
7Right foot hook over left knee and turn ¼ to left on ball of left foot to face 3:00-your new front wall
8Right foot kick low & forward, toe pointed
URight foot small Step backward on ball of foot
VARIATIONS ON AN "OUT-OUT, IN-IN" SEQUENCE
1Left foot heel touch forward, weight backward on right foot
UF step down under body on ball of foot (replace)
2Right foot step next to left foot on ball of foot
ULeft foot step out to left side on ball of foot
3Right foot step out to right side on ball of foot, feet wide apart
4Hold clap hands once (feet still apart)
ULeft foot step in on ball of foot(replace)
5Right foot step in on ball of foot(replace)
ULeft foot step backward on ball of foot
6Right foot heel touch forward, weight backward on left foot
URight foot step down under body on ball of foot (replace)
7Left foot step next to right foot on ball of foot
8Right foot stomp next to left foot
REPEAT
Pump: A "pump" is like stepping down on an imaginary brake pedal: the knee is hitched (in preparation for this move) and the sole of the foot is aimed diagonally forward and down toward the floor in front of you, then the foot is pushed toward the floor without touching the ground. This term is borrowed from the CWLDA (Country Western Line Dance Association).
The "u" count: I'm well aware that the convention is to count "out-out, in-in" patterns as "&1, &2." But that is merely for convenience: the convenience of not having taking the time to learn something new. So here it is: subdivision of the beat. When you say "1&2, 3&4," I think that most people would first think of a Polka or Shuffle rhythm. We all know that the numbers stand for movements that occur on a beat of music. The "&" counts is a half-beat of music. AGREED? When you dance "Out-Out, In-In" type rhythms/patterns, you are dancing on THIRDS of a beat: