Play
拍数:
0
墙数:
0
级数:
编舞者:
Jan-A
音乐:
Play - Jennifer Lopez
Sequence: AB, Tag 1, Modified A, BB, Tag 2, Halleluiah B, B
PART A
We adjust our clock so that the direction you are facing at the start of Part A is 12:00.
BRUSH-HITCH-STEPS, ½ TURN PIVOT
1&2Brush right foot forward, hitch right knee up, step right foot forward
3&4Brush left foot forward, hitch left knee up, step left foot forward
5&6Brush right foot forward, hitch right knee up, step right foot forward
7-8Touch left toe back, pivot ½ turn left on ball of right foot (weight ends on right foot)
SIDE TOGETHER, CHASSE LEFT, ¼ TURN PIVOT TWICE
1-2Step left to left side, close right beside left
3&4Step left to left side, close right beside left, step left to left side
5-6Step forward right, pivot ¼ turn left
7-8Step forward right, pivot ¼ turn left
Now facing original 12:00
Styling: On the ¼ turns, roll your hips around to the left
"KNEE THANG", KICK-BALL-CHANGE, SLIDE FORWARD
1-2(On balls of both feet) Bring knees together (i.e., heels apart), bring knees apart (i.e., heels together)
3&(On balls of both feet) Bring knees together (i.e., heels apart), bring knees apart (i.e., heels together)
4(On balls of both feet) Bring knees to center (i.e., heels center)
Hands: During the knee "thang", put your elbows up and out to the sides, with the palms of both hands facing your ears, a few inches from your head. This is the "hear no evil" position.
5-6Kick right foot forward, step right in place, step left in place
7-8Slide forward with right foot, step left foot slightly apart
"PULL THE ROPE" TWICE
1&Stretch arms to right and shift weight to right foot, step left beside right
2Touch right foot to right side pulling arms in to side
3&4Repeat 1&2
Styling: During the "pull the rope" moves, turn your body diagonally to the right so your body is facing 1:30
SYNCOPATED JAZZ BOX, ¼ TURN SAILOR, STOMPS
5&6Cross right over left, step back on left, step right foot to right side
As you are stepping right on count 6, square up your body toward 12:00 again
&7Step left foot behind right, step right to right side with ¼ turn left
&8Stomp left foot forward twice, ending with weight on the left foot
THAT'S THE END OF PART A
MODIFIED PART A
Same as Part A except slight changes to "knee thang" and "pull the rope".
The hands during the "Knee Thang", instead of the "hear no evil" position, do the "chill" motion:
1Hands on back pockets
2Hands on hips
3&4Hands travel in a "shivery" motion upward in front of your body until they are extended fully up
Bring your hands down on count 5. But don't drop them down to the sides. Let them come down gently in front of your body until they are hanging downward somewhere around count 6.
In the "Pull The Rope" section, there is no longer any hand motion. The footwork changes to move you diagonally backward to the right.
1&Step diagonally backward with the right foot, step left beside right
2Touch right foot diagonally backward
3&4Repeat 1&2
You can do a little back body roll on this part if you like. On that last touch of the right foot, you might not want to go too far back because the next step is the syncopated jazz box where the right has to cross over the left. If you make it too far, you'll have a hard time getting it across.
THAT's THE END OF MODIFIED PART A
PART B
We now adjust our clock, so that the direction you are facing at the start of Part B is 12:00.
SIDE STEPS
1-4Step right to right side, hold, step left beside right, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
1Arms straight down at the sides, fists clenched, back of right fist toward the right and back of left fist forward
2-4Keeping arms straight and fists clenched, smoothly bring arms up to level with your shoulders over these 3 counts. The right arm goes directly toward the right and the left arm goes directly forward. The arms rise smoothly, not bouncing along with the pelvis.
SIDE STEPS
5-8Step right to right side, hold, step left beside right, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
The arms continue to rise smoothly, not bouncing along with the pelvis.
5Fists pop open to fully extended fingers, with right fingers pointing out to the right and left fingers pointing straight forward. Tilt your hands up slightly at the wrists so they are not drooping.
6-8Keeping arms straight and fingers out, smoothly continue bringing arms up until they are straight up overhead, ending with your right palm facing to the right and left palm facing forward.
SHUFFLE, SAILOR STEP
1&2Step left to left side, close right beside left, step left to left side
Arm Styling: Bring your hands down on count 1. But don't drop them down to the sides. Let them come down gently in front of your body until they are hanging downward somewhere around count 2.
3&4Cross right behind left, step left to left side, step right in place
STEP, TOUCH, STEP, TOUCH
5-6Step left to side, touch right to right side turning toe and upper body toward 1:30
Arm Styling: On count 6, thrust your left arm straight up into the air with your left index finger pointing upward.
7-8Square up to 12:00 and step right foot to right side, touch left beside right (bringing left arm down beside left hip, palm downward)
SIDE STEPS
1-4Step left to left side, hold, step right beside left, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
1Arms straight down at the sides, fists clenched, back of left fist toward the left and back of right fist forward
2-4Keeping arms straight and fists clenched, smoothly bring arms up to level with your shoulders over these 3 counts. The left arm goes directly toward the left and the right arm goes directly forward. The arms rise smoothly, not bouncing along with the pelvis.
SIDE STEPS
5-8Step left to left side, hold, step right beside left, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
The arms continue to rise smoothly, not bouncing along with the pelvis.
5Fists pop open to fully extended fingers, with left fingers pointing out to the left and right fingers pointing straight forward. Tilt your hands up slightly at the wrists so they are not drooping.
6-8Keeping arms straight and fingers out, smoothly continue bringing arms up until they are straight up overhead, ending with your left palm facing to the left and right palm facing forward.
SHUFFLE, SAILOR STEP
1&2Step right to right side, close left beside right, step right to right side
Arm Styling: Bring your hands down on count 1. But don't drop them down to the sides. Let them come down gently in front of your body until they are hanging downward somewhere around count 2.
3&4Cross right behind left, step left to left side, step right in place
SWIVELS ("SKATES"), JUMP, JUMP
5-6Skate forward right, skate forward left
7Jump on both feet and land with right crossed over left (cross arms, fists clenched)
8Jump feet apart (bring arms up at side, fists clenched; "muscle man pose")
THAT'S THE END OF PART B
HALLELUIAH B
"Halleluiah B" is exactly the same as Part B except for the styling during slow side steps with pelvis bumps. First of all, leave off the pelvis bumps. Next, eliminate the slowly rising arms by keeping your hands in the "raise the roof" position, extending both arms upward with elbows bent and palms upward, pushing up to straight elbows on each beat.
THAT'S THE END OF HALLELUIAH B
TAG 1
ROGER RABBITS
&1Scooch back on left, step right foot behind left
&2Scooch back on right, step left foot behind right
&3Scooch back on left, step right foot behind left
&4Rock forward on left, rock back on right
&5Scooch back on right, step left foot behind right
&6Scooch back on left, step right foot behind left
&7Scooch back on right, step left foot behind right
&8Rock forward on right, rock back on left
POINTS, BOUNCES
&1Step on ball of right next to left foot, point left toe forward
&2Step on ball of left next to right foot, point right toe forward
3&4&Bend both knees to bounce your body down, up, down, up
Arm Styling: for the bounces on 3&4&, bring your forearms up to chest level and parallel to the floor as if resting on a table with palms downward. Keep them at that level as you bounce so that your body moves up and down but your forearms and hands do not
SWIVELS ("SKATES"), JUMP, JUMP
5-6Skate forward right, skate forward left
7Jump on both feet and land with right crossed over left (cross arms, fists clenched)
8Jump feet apart (bring arms up at side, fists clenched; "muscle man pose")
THAT'S THE END OF TAG 1
TAG 2
We adjust our clock so that the direction you are facing at the start of Tag 2 is 12:00.
This tag starts with the same 16 counts as Part A
BRUSH-HITCH-STEPS, ½ TURN PIVOT
1&2Brush right foot forward, hitch right knee up, step right foot forward
3&4Brush left foot forward, hitch left knee up, step left foot forward
5&6Brush right foot forward, hitch right knee up, step right foot forward
7-8Touch left toe back, pivot ½ turn left on ball of right foot (weight ends on right foot)
SIDE TOGETHER, CHASSE LEFT, ¼ TURN PIVOT TWICE
1-2Step left to left side, close right beside left
3&4Step left to left side, close right beside left, step left to left side
5-6Step forward right, pivot ¼ turn left
7-8Step forward right, pivot ¼ turn left
Now facing original 12:00
Styling: On the ¼ turns, roll your hips around to the left
THOSE ARMS!!!
1Step right foot slightly to the right and sway your hips to the right as you drape your right forearm over your head, resting on the top of your head, with your right palm facing down
2Sway your hips to the left as you drape your left forearm over your head, resting on the top of your head, behind your right forearm, with your left palm facing down
3Sway your hips to the right as you take your right arm off your head to the right, going around the face and under the chin, and ending up with the back of your right hand on your left cheek, palm facing to the left
4Sway your hips to the left as you take your left arm off your head to the left, going around the face and under the chin, and ending up with the back of your left hand on your right cheek, palm facing to the right
Don't make a big deal about this. Just get there.
5Sway your hips to the right as you stick your right arm straight out to the right side with your wrist bent sharply so that the right palm is facing to the right side
6Sway your hips to the left as you stick your left arm straight out to the left side with your wrist bent sharply so that the left palm is facing to the left side
7&Point right toe out to the right side, hitch right knee up bringing left hand across face and ending with back of left palm against right cheek
8Crouch over to left side slightly
EVEN MORE ARMS, THEN SHRUG
1Step right foot to right side and bring right arm straight up with wrist bent sharply so that palm faces downward
2Step left foot next to right foot and bring left arm straight up with wrist bent sharply so that palm faces downward
3Step right foot to right side and bring right arm straight down beside body with wrist bent sharply so that palm faces downward
4Step left foot next to right foot and bring left arm straight down beside body with wrist bent sharply so that palm faces downward
5Step right foot to right side and turn head to the right
6Step left foot next to right foot and turn head to the left
&7Lift shoulders up, drop them (head is still facing left)
&8Repeat &7
SHUFFLE BACK LEFT, SHUFFLE BACK RIGHT
1&2Step back on left with ¼ turn left (facing 9:00), step right together, step left to side left
Alternate: Just step back on left with ¼ turn left and bump hips left, right, left
3&4Step back on right with ½ turn right (facing 3:00), step left together, step right to right side
Alternate: Just step back on right with ½ turn right and bump hips right, left, right
5-6Cross left over right, pivot ¾ turn right (facing 12:00)
&7-8Step forward on left, point right toe forward, hold
Body Styling: As you point your right toe forward on 7, twist your body toward 1:30 and lean back so you have some big-time contra-body going on
Arm Styling: As you point your right toe forward on 7, extend your left arm toward 12:00 with the left palm facing 12:00 as well. Extend your right arm toward 6:00 with the right palm facing 6:00 as well.
KICK & TOUCH, KICK & TOUCH
1&2(Drop the arms and square up to 12:00) Kick right forward, step right in place, point left to side
3&4Kick left forward, step left in place, point right to side
SYNCOPATED JAZZ BOX, ¼ TURN SAILOR, STOMPS
You did this at the end of Part A, remember?
5&6Cross right over left, step back on left, step right foot to right side
&7Step left foot behind right, step right to right side with ¼ turn left
&8Stomp left foot forward twice, ending with weight on the left foot
KICK HITCH STOMP, STEP, TOGETHER, REPEAT OTHER SIDE
1&2Kick right foot sharply low to the right side, hitch right knee up, step right foot next to left
3-4Step left foot to left side, slide right foot next to left foot and step on it
5&6Kick left foot sharply low to the left side, hitch left knee up, step left foot next to right
7-8Step right foot to right side, slide left foot next to right foot and step on it
POINTS, BOUNCES
&1Step on ball of right next to left foot, point left toe forward
&2Step on ball of left next to right foot, point right toe forward
3&4&Bend both knees to bounce your body down, up, down, up
Arm Styling: for the bounces on 3&4&, bring your forearms up to chest level and parallel to the floor as if resting on a table with palms downward. Keep them at that level as you bounce so that your body moves up and down but your forearms and hands do not
SWIVELS ("SKATES"), JUMP, JUMP
5-6Skate forward right, skate forward left
7Jump on both feet and land with right crossed over left (cross arms, fists clenched)
8Jump feet apart (bring arms up at side, fists clenched; "muscle man pose")
KICK HITCH STOMP, STEP, TOGETHER, REPEAT OTHER SIDE
1&2Kick right foot sharply low to the right side, hitch right knee up, step right foot next to left
3-4Step left foot to left side, slide right foot next to left foot and step on it
5&6Kick left foot sharply low to the left side, hitch left knee up, step left foot next to right
7-8Step right foot to right side, slide left foot next to right foot and step on it
POINTS, BOUNCES
&1Step on ball of right next to left foot, point left toe forward
&2Step on ball of left next to right foot, point right toe forward
3&4&Bend both knees to bounce your body down, up, down, up
Arm Styling: for the bounces on 3&4&, bring your forearms up to chest level and parallel to the floor as if resting on a table with palms downward. Keep them at that level as you bounce so that your body moves up and down but your forearms and hands do not
FOUR SWIVELS ("SKATES")
5-6Skate forward right, skate forward left but turning ¼ left
7-8Skate forward right, skate forward left
Hand Styling: Do the "raise the roof" motion on each of the 4 skates, extending both arms upward with elbows bent and palms upward, pushing up to straight elbows on each beat.
THAT'S THE END OF TAG 2
PART A
We adjust our clock so that the direction you are facing at the start of Part A is 12:00.
BRUSH-HITCH-STEPS, ½ TURN PIVOT
1&2Brush right foot forward, hitch right knee up, step right foot forward
3&4Brush left foot forward, hitch left knee up, step left foot forward
5&6Brush right foot forward, hitch right knee up, step right foot forward
7-8Touch left toe back, pivot ½ turn left on ball of right foot (weight ends on right foot)
SIDE TOGETHER, CHASSE LEFT, ¼ TURN PIVOT TWICE
1-2Step left to left side, close right beside left
3&4Step left to left side, close right beside left, step left to left side
5-6Step forward right, pivot ¼ turn left
7-8Step forward right, pivot ¼ turn left
Now facing original 12:00
Styling: On the ¼ turns, roll your hips around to the left
"KNEE THANG", KICK-BALL-CHANGE, SLIDE FORWARD
1-2(On balls of both feet) Bring knees together (i.e., heels apart), bring knees apart (i.e., heels together)
3&(On balls of both feet) Bring knees together (i.e., heels apart), bring knees apart (i.e., heels together)
4(On balls of both feet) Bring knees to center (i.e., heels center)
Hands: During the knee "thang", put your elbows up and out to the sides, with the palms of both hands facing your ears, a few inches from your head. This is the "hear no evil" position.
5-6Kick right foot forward, step right in place, step left in place
7-8Slide forward with right foot, step left foot slightly apart
"PULL THE ROPE" TWICE
1&Stretch arms to right and shift weight to right foot, step left beside right
2Touch right foot to right side pulling arms in to side
3&4Repeat 1&2
Styling: During the "pull the rope" moves, turn your body diagonally to the right so your body is facing 1:30
SYNCOPATED JAZZ BOX, ¼ TURN SAILOR, STOMPS
5&6Cross right over left, step back on left, step right foot to right side
As you are stepping right on count 6, square up your body toward 12:00 again
&7Step left foot behind right, step right to right side with ¼ turn left
&8Stomp left foot forward twice, ending with weight on the left foot
THAT'S THE END OF PART A
MODIFIED PART A
Same as Part A except slight changes to "knee thang" and "pull the rope".
The hands during the "Knee Thang", instead of the "hear no evil" position, do the "chill" motion:
1Hands on back pockets
2Hands on hips
3&4Hands travel in a "shivery" motion upward in front of your body until they are extended fully up
Bring your hands down on count 5. But don't drop them down to the sides. Let them come down gently in front of your body until they are hanging downward somewhere around count 6.
In the "Pull The Rope" section, there is no longer any hand motion. The footwork changes to move you diagonally backward to the right.
1&Step diagonally backward with the right foot, step left beside right
2Touch right foot diagonally backward
3&4Repeat 1&2
You can do a little back body roll on this part if you like. On that last touch of the right foot, you might not want to go too far back because the next step is the syncopated jazz box where the right has to cross over the left. If you make it too far, you'll have a hard time getting it across.
THAT's THE END OF MODIFIED PART A
PART B
We now adjust our clock, so that the direction you are facing at the start of Part B is 12:00.
SIDE STEPS
1-4Step right to right side, hold, step left beside right, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
1Arms straight down at the sides, fists clenched, back of right fist toward the right and back of left fist forward
2-4Keeping arms straight and fists clenched, smoothly bring arms up to level with your shoulders over these 3 counts. The right arm goes directly toward the right and the left arm goes directly forward. The arms rise smoothly, not bouncing along with the pelvis.
SIDE STEPS
5-8Step right to right side, hold, step left beside right, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
The arms continue to rise smoothly, not bouncing along with the pelvis.
5Fists pop open to fully extended fingers, with right fingers pointing out to the right and left fingers pointing straight forward. Tilt your hands up slightly at the wrists so they are not drooping.
6-8Keeping arms straight and fingers out, smoothly continue bringing arms up until they are straight up overhead, ending with your right palm facing to the right and left palm facing forward.
SHUFFLE, SAILOR STEP
1&2Step left to left side, close right beside left, step left to left side
Arm Styling: Bring your hands down on count 1. But don't drop them down to the sides. Let them come down gently in front of your body until they are hanging downward somewhere around count 2.
3&4Cross right behind left, step left to left side, step right in place
STEP, TOUCH, STEP, TOUCH
5-6Step left to side, touch right to right side turning toe and upper body toward 1:30
Arm Styling: On count 6, thrust your left arm straight up into the air with your left index finger pointing upward.
7-8Square up to 12:00 and step right foot to right side, touch left beside right (bringing left arm down beside left hip, palm downward)
SIDE STEPS
1-4Step left to left side, hold, step right beside left, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
1Arms straight down at the sides, fists clenched, back of left fist toward the left and back of right fist forward
2-4Keeping arms straight and fists clenched, smoothly bring arms up to level with your shoulders over these 3 counts. The left arm goes directly toward the left and the right arm goes directly forward. The arms rise smoothly, not bouncing along with the pelvis.
SIDE STEPS
5-8Step left to left side, hold, step right beside left, hold
Body styling: Thrust your pelvis forward gently on each count, but just your pelvis; don't bounce your shoulders.
Arm Styling:
The arms continue to rise smoothly, not bouncing along with the pelvis.
5Fists pop open to fully extended fingers, with left fingers pointing out to the left and right fingers pointing straight forward. Tilt your hands up slightly at the wrists so they are not drooping.
6-8Keeping arms straight and fingers out, smoothly continue bringing arms up until they are straight up overhead, ending with your left palm facing to the left and right palm facing forward.
SHUFFLE, SAILOR STEP
1&2Step right to right side, close left beside right, step right to right side
Arm Styling: Bring your hands down on count 1. But don't drop them down to the sides. Let them come down gently in front of your body until they are hanging downward somewhere around count 2.
3&4Cross right behind left, step left to left side, step right in place
SWIVELS ("SKATES"), JUMP, JUMP
5-6Skate forward right, skate forward left
7Jump on both feet and land with right crossed over left (cross arms, fists clenched)
8Jump feet apart (bring arms up at side, fists clenched; "muscle man pose")
THAT'S THE END OF PART B
HALLELUIAH B
"Halleluiah B" is exactly the same as Part B except for the styling during slow side steps with pelvis bumps. First of all, leave off the pelvis bumps. Next, eliminate the slowly rising arms by keeping your hands in the "raise the roof" position, extending both arms upward with elbows bent and palms upward, pushing up to straight elbows on each beat.
THAT'S THE END OF HALLELUIAH B
TAG 1
ROGER RABBITS
&1Scooch back on left, step right foot behind left
&2Scooch back on right, step left foot behind right
&3Scooch back on left, step right foot behind left
&4Rock forward on left, rock back on right
&5Scooch back on right, step left foot behind right
&6Scooch back on left, step right foot behind left
&7Scooch back on right, step left foot behind right
&8Rock forward on right, rock back on left
POINTS, BOUNCES
&1Step on ball of right next to left foot, point left toe forward
&2Step on ball of left next to right foot, point right toe forward
3&4&Bend both knees to bounce your body down, up, down, up
Arm Styling: for the bounces on 3&4&, bring your forearms up to chest level and parallel to the floor as if resting on a table with palms downward. Keep them at that level as you bounce so that your body moves up and down but your forearms and hands do not
SWIVELS ("SKATES"), JUMP, JUMP
5-6Skate forward right, skate forward left
7Jump on both feet and land with right crossed over left (cross arms, fists clenched)
8Jump feet apart (bring arms up at side, fists clenched; "muscle man pose")
THAT'S THE END OF TAG 1
TAG 2
We adjust our clock so that the direction you are facing at the start of Tag 2 is 12:00.
This tag starts with the same 16 counts as Part A
BRUSH-HITCH-STEPS, ½ TURN PIVOT
1&2Brush right foot forward, hitch right knee up, step right foot forward
3&4Brush left foot forward, hitch left knee up, step left foot forward
5&6Brush right foot forward, hitch right knee up, step right foot forward
7-8Touch left toe back, pivot ½ turn left on ball of right foot (weight ends on right foot)
SIDE TOGETHER, CHASSE LEFT, ¼ TURN PIVOT TWICE
1-2Step left to left side, close right beside left
3&4Step left to left side, close right beside left, step left to left side
5-6Step forward right, pivot ¼ turn left
7-8Step forward right, pivot ¼ turn left
Now facing original 12:00
Styling: On the ¼ turns, roll your hips around to the left
THOSE ARMS!!!
1Step right foot slightly to the right and sway your hips to the right as you drape your right forearm over your head, resting on the top of your head, with your right palm facing down
2Sway your hips to the left as you drape your left forearm over your head, resting on the top of your head, behind your right forearm, with your left palm facing down
3Sway your hips to the right as you take your right arm off your head to the right, going around the face and under the chin, and ending up with the back of your right hand on your left cheek, palm facing to the left
4Sway your hips to the left as you take your left arm off your head to the left, going around the face and under the chin, and ending up with the back of your left hand on your right cheek, palm facing to the right
Don't make a big deal about this. Just get there.
5Sway your hips to the right as you stick your right arm straight out to the right side with your wrist bent sharply so that the right palm is facing to the right side
6Sway your hips to the left as you stick your left arm straight out to the left side with your wrist bent sharply so that the left palm is facing to the left side
7&Point right toe out to the right side, hitch right knee up bringing left hand across face and ending with back of left palm against right cheek
8Crouch over to left side slightly
EVEN MORE ARMS, THEN SHRUG
1Step right foot to right side and bring right arm straight up with wrist bent sharply so that palm faces downward
2Step left foot next to right foot and bring left arm straight up with wrist bent sharply so that palm faces downward
3Step right foot to right side and bring right arm straight down beside body with wrist bent sharply so that palm faces downward
4Step left foot next to right foot and bring left arm straight down beside body with wrist bent sharply so that palm faces downward
5Step right foot to right side and turn head to the right
6Step left foot next to right foot and turn head to the left
&7Lift shoulders up, drop them (head is still facing left)
&8Repeat &7
SHUFFLE BACK LEFT, SHUFFLE BACK RIGHT
1&2Step back on left with ¼ turn left (facing 9:00), step right together, step left to side left
Alternate: Just step back on left with ¼ turn left and bump hips left, right, left
3&4Step back on right with ½ turn right (facing 3:00), step left together, step right to right side
Alternate: Just step back on right with ½ turn right and bump hips right, left, right
5-6Cross left over right, pivot ¾ turn right (facing 12:00)
&7-8Step forward on left, point right toe forward, hold
Body Styling: As you point your right toe forward on 7, twist your body toward 1:30 and lean back so you have some big-time contra-body going on
Arm Styling: As you point your right toe forward on 7, extend your left arm toward 12:00 with the left palm facing 12:00 as well. Extend your right arm toward 6:00 with the right palm facing 6:00 as well.
KICK & TOUCH, KICK & TOUCH
1&2(Drop the arms and square up to 12:00) Kick right forward, step right in place, point left to side
3&4Kick left forward, step left in place, point right to side
SYNCOPATED JAZZ BOX, ¼ TURN SAILOR, STOMPS
You did this at the end of Part A, remember?
5&6Cross right over left, step back on left, step right foot to right side
&7Step left foot behind right, step right to right side with ¼ turn left
&8Stomp left foot forward twice, ending with weight on the left foot
KICK HITCH STOMP, STEP, TOGETHER, REPEAT OTHER SIDE
1&2Kick right foot sharply low to the right side, hitch right knee up, step right foot next to left
3-4Step left foot to left side, slide right foot next to left foot and step on it
5&6Kick left foot sharply low to the left side, hitch left knee up, step left foot next to right
7-8Step right foot to right side, slide left foot next to right foot and step on it
POINTS, BOUNCES
&1Step on ball of right next to left foot, point left toe forward
&2Step on ball of left next to right foot, point right toe forward
3&4&Bend both knees to bounce your body down, up, down, up
Arm Styling: for the bounces on 3&4&, bring your forearms up to chest level and parallel to the floor as if resting on a table with palms downward. Keep them at that level as you bounce so that your body moves up and down but your forearms and hands do not
SWIVELS ("SKATES"), JUMP, JUMP
5-6Skate forward right, skate forward left
7Jump on both feet and land with right crossed over left (cross arms, fists clenched)
8Jump feet apart (bring arms up at side, fists clenched; "muscle man pose")
KICK HITCH STOMP, STEP, TOGETHER, REPEAT OTHER SIDE
1&2Kick right foot sharply low to the right side, hitch right knee up, step right foot next to left
3-4Step left foot to left side, slide right foot next to left foot and step on it
5&6Kick left foot sharply low to the left side, hitch left knee up, step left foot next to right
7-8Step right foot to right side, slide left foot next to right foot and step on it
POINTS, BOUNCES
&1Step on ball of right next to left foot, point left toe forward
&2Step on ball of left next to right foot, point right toe forward
3&4&Bend both knees to bounce your body down, up, down, up
Arm Styling: for the bounces on 3&4&, bring your forearms up to chest level and parallel to the floor as if resting on a table with palms downward. Keep them at that level as you bounce so that your body moves up and down but your forearms and hands do not
FOUR SWIVELS ("SKATES")
5-6Skate forward right, skate forward left but turning ¼ left
7-8Skate forward right, skate forward left
Hand Styling: Do the "raise the roof" motion on each of the 4 skates, extending both arms upward with elbows bent and palms upward, pushing up to straight elbows on each beat.
THAT'S THE END OF TAG 2