Count:
32
Wall:
-
Level:
Beginner for dancers in the circles
Mixer in 2 circles with, as an option, a solo dancer, at the circle center.
Other option: The solo dancer could be replaced by the “Dance Master” who gives steps instructions to the dancers of the circles (like in Square Dance).
Celtic [type: farandole from Camargue, Southern France; see “Final Note”].
RF: right foot; LF: left foot; FT: feet together; RL: right leg, LL: left leg, LA: legs apart, RT: right toes; LT: left toes; RH: right heel; LH: left heel; RK: right knee; LK: left knee, RP: right palm: FP: left palm; RAr: right arm; LAr: left arm; RSh: right shoulder; LSh: left shoulder; RE: right elbow, LE: ,left elbow; RHd: right hand , LHd: left hand, RHp: right hip; LHp; left hip, RTh: right thigh, LTh: left thigh; WoRF: weight on RF, WoLF: weight on LF
The dancers of the two circles, inner and outer, are alternately face-to-face, then back-to-back. The steps are identical for all dancers, whatever the circle they belong to: the outer circle always rotates clockwise and the inner circle always rotates counter-clockwise. Starts with the music: Listen to the tambourines beats.
SECTION I: DANCERS OF THE 2 CIRCLES: VINE RIGHT, CROSS LF, UNCROSS; CHASSÉ RIGHT, CHASSÉ ¼ TURN RIGHT
Inner circle dancers are facing the circle center. Dancers of outer circle are back to back with those of inner circle. WoLF. Hold neighbors’ hands (both side)
1 & 2RF on right side, cross LF behind RF, uncross: RF to right
3 & 4RF on right side, cross LF before RF, uncross: RF to right
5 & 6RF right, LF near RF, RF right
Release neighbors’ hands: Hands on hips!
7 & 8RF right with 90 degree rotation to right, pull LF near RF,FT
OPTIONAL SOLO DANCER: BOURRÉE STEP, TOP TURN RIGHT; TOP TURN LEFT, BOURRÉE STEP
1 & 2FT on toes, flex knees in ark, jump
3 & 4on toes and top turn right (full turn)
5 & 6on toes and top turn left (full turn)
7 & 8FT on toes, flex knees in ark, jump
SECTION II: DANCERS OF THE 2 CIRCLES: LOCK STEP RIGHT, LOCK STEP LEFT; HITCH, STEP RIGHT, BRUSH LEFT, ½ TURN RIGHT
Dancers are following one another along their respective circle; hands on hips.
1 & 2RF forward, lock LF behind RF, RF forward
3 & 4LF forward, lock RF behind LF, LF forward
5 & 6Hitch RF, RF forward, brush LF forward
7 & 8RF back, on toes ½ turn right, FT
OPTIONAL SOLO DANCER: JUMP, KICK RF, TOP TURN LEFT; TOP TURN RIGHT, JUMP, KICK LF
1 & 2FT on toes, jump, kick RF
3 & 4on toes and top turn left (full turn)
5 & 6on toes and top turn right (full turn)
7 & 8FT on toes, jump, kick LF
SECTION III: DANCERS OF THE 2 CIRCLES: BACK LOCK STEP RIGHT, THEN LEFT; ON TOE, ¼ TURN LEFT, KICK (RIGHT, LEFT), JUMP
Dancers are following one another along their respective circle, but in opposite direction with section II;
Circles rotations are unchanged: inner circle is counter-clockwise; outer circle is clockwise.
1 & 2RF back, lock LF before RF, RF back
3 & 4LF back, lock RF before LF, LF back
5 & 6On toes, ¼ turn left, stomp LF
Dancers of outer circle are now facing those of inner circle. Hold neighbors’ hands, left and right.
7 & 8Kick RF, kick LF, jump feet together.
OPTIONAL SOLO DANCER: BOURRÉE STEP, TOP TURN LEFT; TOP TURN RIGHT, BOURRÉE STEP
1 & 2FT on toes, flex knees in ark, jump
3 & 4on toes and top turn left (full turn)
5 & 6on toes and top turn right (full turn)
7 & 8FT on toes, flex knees in ark, jump
SECTION IV: DANCERS OF THE 2 CIRCLES: VINE LEFT, CROSS RF, UNCROSS; CHASSÉ LEFT, CHASSÉ, ½ TURN LEFT WoRF
1 & 2LF on left side, cross RF behind LF, uncross: LF to left
3 & 4LF on right side, cross RF before RF, uncross: LF to left
5 & 6LF left, RF near LF, LF left
Release neighbors’ hands: Hands on hips!
7 & 8on toes, twist feet ½ turn left, RF near LF
OPTIONAL SOLO DANCER: BOURRÉE STEP, TOP TURN LEFT; TOP TURN RIGHT, BOURRÉE STEP
1 & 2FT on toes, flex knees in ark, jump
3 & 4on toes and top turn left (full turn)
5 & 6on toes and top turn right (full turn)
7 & 8FT on toes, flex knees in ark, jump
Do it again, “gardians” & “gardianes” (cowboys & cowgirls)!
FINAL SECTION:
At the end of the music, dancers of both circles turn in order to face the center of their circle:
- Outer circle: kneel right knee down, touch hat, bow heads
- Inner circle: bow down, take off hat, salute and sweep hats (French reverence)
- Solo dancer: stand up on toes, take hat off and hold it high
Final Note: Nowadays, the Southern French region of Camargue – geographically speaking, the province of the huge and wild Delta of Rhone River – still keeps its ancestral traditions of cowboys (called "gardians") herding bulls. Farandoles are danced in the "manades" (cattle stations), in the “mas” (ranches) and in villages during local and national feasts. Each musician holds his fifer in one hand and plays the tambourine with his other hand; For information, the capital-city of Camargue is Nimes where the gardians’ trousers were – and still are – sewn with “toile de Jeanne” (Canvas from Genoa; the French pronunciation “jayne” became Jeanne)., it is said that, in the 19th Century, a certain Mr Levy-Strauss spent some time in Nimes before immigrating to the USA and imported this material, then called “Jeans DeNim”.
Contact: jean_lw_lequeux@yahoo.com
Other option: The solo dancer could be replaced by the “Dance Master” who gives steps instructions to the dancers of the circles (like in Square Dance).
Celtic [type: farandole from Camargue, Southern France; see “Final Note”].
RF: right foot; LF: left foot; FT: feet together; RL: right leg, LL: left leg, LA: legs apart, RT: right toes; LT: left toes; RH: right heel; LH: left heel; RK: right knee; LK: left knee, RP: right palm: FP: left palm; RAr: right arm; LAr: left arm; RSh: right shoulder; LSh: left shoulder; RE: right elbow, LE: ,left elbow; RHd: right hand , LHd: left hand, RHp: right hip; LHp; left hip, RTh: right thigh, LTh: left thigh; WoRF: weight on RF, WoLF: weight on LF
The dancers of the two circles, inner and outer, are alternately face-to-face, then back-to-back. The steps are identical for all dancers, whatever the circle they belong to: the outer circle always rotates clockwise and the inner circle always rotates counter-clockwise. Starts with the music: Listen to the tambourines beats.
SECTION I: DANCERS OF THE 2 CIRCLES: VINE RIGHT, CROSS LF, UNCROSS; CHASSÉ RIGHT, CHASSÉ ¼ TURN RIGHT
Inner circle dancers are facing the circle center. Dancers of outer circle are back to back with those of inner circle. WoLF. Hold neighbors’ hands (both side)
1 & 2RF on right side, cross LF behind RF, uncross: RF to right
3 & 4RF on right side, cross LF before RF, uncross: RF to right
5 & 6RF right, LF near RF, RF right
Release neighbors’ hands: Hands on hips!
7 & 8RF right with 90 degree rotation to right, pull LF near RF,FT
OPTIONAL SOLO DANCER: BOURRÉE STEP, TOP TURN RIGHT; TOP TURN LEFT, BOURRÉE STEP
1 & 2FT on toes, flex knees in ark, jump
3 & 4on toes and top turn right (full turn)
5 & 6on toes and top turn left (full turn)
7 & 8FT on toes, flex knees in ark, jump
SECTION II: DANCERS OF THE 2 CIRCLES: LOCK STEP RIGHT, LOCK STEP LEFT; HITCH, STEP RIGHT, BRUSH LEFT, ½ TURN RIGHT
Dancers are following one another along their respective circle; hands on hips.
1 & 2RF forward, lock LF behind RF, RF forward
3 & 4LF forward, lock RF behind LF, LF forward
5 & 6Hitch RF, RF forward, brush LF forward
7 & 8RF back, on toes ½ turn right, FT
OPTIONAL SOLO DANCER: JUMP, KICK RF, TOP TURN LEFT; TOP TURN RIGHT, JUMP, KICK LF
1 & 2FT on toes, jump, kick RF
3 & 4on toes and top turn left (full turn)
5 & 6on toes and top turn right (full turn)
7 & 8FT on toes, jump, kick LF
SECTION III: DANCERS OF THE 2 CIRCLES: BACK LOCK STEP RIGHT, THEN LEFT; ON TOE, ¼ TURN LEFT, KICK (RIGHT, LEFT), JUMP
Dancers are following one another along their respective circle, but in opposite direction with section II;
Circles rotations are unchanged: inner circle is counter-clockwise; outer circle is clockwise.
1 & 2RF back, lock LF before RF, RF back
3 & 4LF back, lock RF before LF, LF back
5 & 6On toes, ¼ turn left, stomp LF
Dancers of outer circle are now facing those of inner circle. Hold neighbors’ hands, left and right.
7 & 8Kick RF, kick LF, jump feet together.
OPTIONAL SOLO DANCER: BOURRÉE STEP, TOP TURN LEFT; TOP TURN RIGHT, BOURRÉE STEP
1 & 2FT on toes, flex knees in ark, jump
3 & 4on toes and top turn left (full turn)
5 & 6on toes and top turn right (full turn)
7 & 8FT on toes, flex knees in ark, jump
SECTION IV: DANCERS OF THE 2 CIRCLES: VINE LEFT, CROSS RF, UNCROSS; CHASSÉ LEFT, CHASSÉ, ½ TURN LEFT WoRF
1 & 2LF on left side, cross RF behind LF, uncross: LF to left
3 & 4LF on right side, cross RF before RF, uncross: LF to left
5 & 6LF left, RF near LF, LF left
Release neighbors’ hands: Hands on hips!
7 & 8on toes, twist feet ½ turn left, RF near LF
OPTIONAL SOLO DANCER: BOURRÉE STEP, TOP TURN LEFT; TOP TURN RIGHT, BOURRÉE STEP
1 & 2FT on toes, flex knees in ark, jump
3 & 4on toes and top turn left (full turn)
5 & 6on toes and top turn right (full turn)
7 & 8FT on toes, flex knees in ark, jump
Do it again, “gardians” & “gardianes” (cowboys & cowgirls)!
FINAL SECTION:
At the end of the music, dancers of both circles turn in order to face the center of their circle:
- Outer circle: kneel right knee down, touch hat, bow heads
- Inner circle: bow down, take off hat, salute and sweep hats (French reverence)
- Solo dancer: stand up on toes, take hat off and hold it high
Final Note: Nowadays, the Southern French region of Camargue – geographically speaking, the province of the huge and wild Delta of Rhone River – still keeps its ancestral traditions of cowboys (called "gardians") herding bulls. Farandoles are danced in the "manades" (cattle stations), in the “mas” (ranches) and in villages during local and national feasts. Each musician holds his fifer in one hand and plays the tambourine with his other hand; For information, the capital-city of Camargue is Nimes where the gardians’ trousers were – and still are – sewn with “toile de Jeanne” (Canvas from Genoa; the French pronunciation “jayne” became Jeanne)., it is said that, in the 19th Century, a certain Mr Levy-Strauss spent some time in Nimes before immigrating to the USA and imported this material, then called “Jeans DeNim”.
Contact: jean_lw_lequeux@yahoo.com
