At The End Of The Line
Chorégraphe:
Tina Argyle (UK)
Musique:
End Of The Line - Paul Bailey
SIDE TOUCH, SIDE TOUCH, FORWARD, HITCH, BACK HITCH, MAMBO BACK, STEP FORWARD, FORWARD, MAMBO ½ TURN LEFT1&Step right to right side, touch left at side of right2&Step left to left side, touch right at side of left3&Step forward right, hitch left knee4&Step back left, hitch right knee5&6Rock back right, recover weight onto left, step forward right7&8Rock forward left, recover weight onto right, ½ turn left stepping forward leftTRIPLE FULL TURN FORWARD (OR RIGHT SHUFFLE), MAMBO FORWARD, STEP, RIGHT COASTER STEP, ¼ PIVOT CROSS9&10Make triple full turn left stepping right, left, right (or right shuffle)11&12Rock forward left, recover weight onto right, step back left13&14Step back right, step left at side of right, step forward right15&16Step forward left, ¼ pivot turn right onto right, cross left over rightSIDE HEEL STRUT, CROSS HEEL STRUT, SIDE, TOGETHER CROSS TWICE Angle body to right diagonal17&Touch right heel to right side & slightly forward, drop right toe to floor18&Touch left heel over right & slightly forward, drop left toe to floor19&20Step right to right side, step left at side of right, cross right over left Angle body to left diagonal21&Touch left heel to left side & slightly forward, drop left toe to floor22&Touch right heel over left & slightly forward, drop right toe to floor23&24Step left to left side, step right at side of left, cross left over rightSIDE BEHIND SIDE, SIDE BEHIND SIDE, RIGHT LOCK STEP FORWARD, LEFT SIDE TOUCH25&26Step right to right side, cross left behind right, step right to right side27&28Step left to left side, cross right behind left, step left to left side29&30Step forward right, lock left behind right, step forward right31&Step left to left side, touch right at side of leftREPEATENDING On wall 9 after count 16, ¼ turn right to face front stepping forward right This dance could be counted as a 62. Always a hard decision to make, but I have typed the sheet using the & counts, as I feel it makes more sense. Many Thanks to Paul for asking me to write to this track -- Tina